March 27, 2026 Jane Colden, Katharine Stewart, Michael Bruce, Rhapsody in Green by Beverley Nichols, and Anna Antoinette Weber-van Bosse
Subscribe
Apple | Google | Spotify | Stitcher | iHeart
Support The Daily Gardener
Connect for FREE!
The Friday Newsletter | Daily Gardener Community
Today’s Show Notes
Late March is a season lived largely on faith.
Not blind faith, practiced faith.
The kind that comes from staying with the season long enough to notice when forces have quietly aligned.
The sun is higher now.
The light lasts.
The sky is doing its part.
And below the surface, beneath soil that still feels cold to the touch, things are waking.
Roots are shifting.
Water is moving again.
Life is making decisions we can’t yet see.
And still, this is often the moment when we grow impatient.
When we want proof.
When we’re tempted to take matters into our own hands and hurry spring along.
We clip branches.
We bring them indoors.
We set them in water and wait for buds to break, forsythia, flowering crab, cherries, the double flowering peach, a glimpse of what’s coming, pulled forward into the light.
Gardeners believe in spring.
That’s not the hard part.
What we sometimes struggle with is patience, the willingness to let the season arrive on its own terms.
Today’s Garden History
1724 Jane Colden was born.
The American botanist was the woman who pressed the Hudson Valley’s plants into ink.
Before titles or praise, Jane was a young woman walking her family’s vast estate in colonial New York, paper and ink in hand, patience gathering like dew.
Her father, Cadwallader Colden, a physician and politician, taught her the Linnaean system, translating it from Latin because women weren’t meant to learn such tongues.
Imagine that quiet doorway opening.
Jane stepped through.
She built a manuscript from the plants around her, over three hundred species of the lower Hudson River Valley, described carefully, drawn simply, their leaves pressed vein-side down into printer’s ink to capture the truth of their hidden architecture.
She noted bloom times.
Habit.
Use.
She recorded medicinal knowledge learned from Indigenous people and from local, lived experience, details science often ignored, but gardeners remember.
Naturalists noticed.
John Bartram invited her to his garden.
Peter Collinson praised her accuracy to Linnaeus himself.
And when Jane found a flaw in Linnaeus’s work, she didn’t defer.
She wrote, politely and firmly, that she “must beg leave to differ” because the seed vessel didn’t match what her eyes held.
She even proposed a name, Gardenia, for a marsh plant she admired, hoping to honor her colleague Alexander Garden.
The name didn’t stick.
History chose another flower instead.
Then the record thins.
Jane married Dr. William Farquhar, and her botanical work falls quiet.
She died in 1766, far too young.
But what she made endured.
Her manuscript crossed the ocean, survived war, and rests today in London, a river valley held fast in ink, saved by someone who paid attention when no one was watching.
2013 Katharine Stewart died.
The Scottish crofter and writer was the woman who folded a Highland garden into words.
Born in England, Katharine claimed Abriachan, near Inverness, as her home, a working croft shared with her husband, Sam.
It was a place shaped by wind and short seasons.
No room for whims.
A garden there had to be practical, and patient.
Katharine taught school.
She ran the post office.
She kept the community stitched together through weather, loss, and change.
And she wrote.
Her books trace a single hillside, A Croft in the Hills, then the garden, month by month.
Blown-down greenhouses.
Sleet numbing the fingers.
Tomatoes coaxed along anyway.
Mushrooms turning up unexpectedly in the shed.
Seeds started on a bedroom windowsill because you use what you have.
On a croft, the garden feeds the house.
It moves easily into the kitchen, into preserving, into wine, into daily meals.
It returns, day after day, with a spade in hand.
Katharine Stewart didn’t write about an ideal garden.
She wrote about the one in front of her.
And by staying with it, season after season, she showed how a small plot can hold an entire world.
Unearthed Words
In today’s Unearthed Words, we hear an excerpt from the Scottish poet Michael Bruce, born on this day in 1746.
He was still a student when illness found him, and in those last months, he watched spring return from his home in Kinnesswood while watching his own life ebb away.
Here’s his poem, “Elegy—Written in Spring” (1766), written when he was 20:
’Tis past: the iron North has spent his rage;
Stern Winter now resigns the length’ning day;
The stormy howlings of the winds assuage,
And warm o’er ether western breezes play.Loosed from the bands of frost, the verdant ground
Again puts on her robe of cheerful green —
Again puts forth her flowers; and all around,
Smiling, the cheerful face of spring is seen.Now, spring returns: but not to me returns
The vernal joy my better years have known;
Dim in my breast life’s dying taper burns,
And all the joys of life with health are flown.
Michael died soon after writing these lines, just twenty-one.
But his poem remains, forever capturing a moment when winter loosened its hold and spring returned again.
Book Recommendation
Rhapsody in Green by Beverley Nichols
It’s Beverley Nichols Week here on The Daily Gardener, and this book lets us spend a little longer with one of gardening’s most distinctive voices.
Beverley is witty, exact, dramatic, and surprisingly honest about what a garden does to a person.
Rhapsody in Green gathers Nichols at his best, lilies and peonies, sharp opinions, neighbors with too much advice, and borders that refuse to behave.
It’s edited for sips, not marathons, a book for the gardener who feels foolish and devoted at the same time, taste and longing practiced slowly into companionship.
Botanic Spark
And finally, here's something sweet to ignite the little botanic spark in your heart.
1852 Anna Antoinette Weber-van Bosse was born.
The Dutch phycologist specialized in algae, seaweeds, and the overlooked builders of ocean floors.
On the Siboga Expedition through Indonesia, her ship anchored near an island.
In the morning light, the seafloor glowed red, not coral, not stone, but vast beds of Lithothamnia, plants quietly laying down the bones of reefs.
Anna worked under constraints most scientists never faced, conducting fieldwork in long skirts, excluded from formal posts, her marriage serving as a passport to the work she was determined to do.
She kept going.
Specimens accumulated.
A global collection took shape.
Plants again doing the slow work of building worlds.
Now, a new Dutch research vessel bears her name, heading back out to sea, built for looking closer.
Final Thoughts
Faith doesn’t always look like hope.
Sometimes it looks like a notebook kept carefully.
A hillside walked again.
A specimen labeled and set aside.
Work done slowly, with no guarantee it will ever be noticed.
Patience runs thinner this time of year.
We’re nearing the threshold of showers that will wash winter away and soak roots in sweet-smelling rain.
Spring is an embarrassment of small green things, all coming online at once.
If all you did today was notice one, that counts.
Thanks for listening to The Daily Gardener.
And remember, for a happy, healthy life, garden every day.
Featured Book
